Mazzeo Clarinet Manual

All players of the clarinet family have always envied the facility of the flute players as they effortlessly flip around on their instrument, making repetitive octave jumps with great facility and ease. Of course, clarinet players achieve the same facility, but only with much, much more practice, because the clarinet is cursed with the dreaded “break”. For the clarinet family has been cursed by the science of acoustics to be different from the other members of the woodwind family. As the cylindrical clarinet family overblows to the twelfth (instead of the octave as does every other woodwind instrument), there is a gap of more than an octave of the extra five semitones on the instrument are produced by the clarinet equivalent of the palm keys, the Ab and A key (each of which produces their namesake note), plus the register key (to produce the Bb when fingered along with the Ab/A key combination. (Having these “in between” keys is nothing new, for most instruments have a number of extra keys towards the upper end of the instrument, this to ease operations between the registers of the instrument. But, the clarinet could not exist without them; they are not just a convenience.) Where the clarinet has always suffered in this regard is with the throat tones, specifically the dreaded “throat Bb”. Since the days of the two key clarinet, the fingering for Bb in the staff has always been the “pinch” of the A/Ab key ganged together combined with the register.

But, the note thus produced has always been a compromise, and not the best of compromises as well. Every musical instrument is a maze of compromises, and the clarinet is no exception. Each tone hole has been tweaked so as to function well with the others with which it is required to act in concert. The Bb in the staff is different. When fingered in the historic fashion, the tone hole from which the note is emitted is the narrow little register vent. Aside from being too narrow for the purpose, it also has the disadvantage of being located on the back of modern instruments.

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